Wednesday, May 28, 2008

Why the Narrung Peninsula is worth saving

"If people could see this Country the way the Ngarrindjeri do, a lot more effort would go into saving it," said Joan Gibbs, or something to that effect. She and the Ngarrindjeri have worked hard over the years in land restoration projects. Her students come out of courses seeing the Land from a different perspective.

So I also wish to acknowledge the Ngarrindjeri as the very best of my teachers. And I'd like to share with you some views of Ngarrindjeri Country on the Narrung Peninsula that you can't see from the highway.



Narrung comes from the Ngarrindjeri Narrarrung, place of tall she-oak forest


where an echidna strolls by unhindered ...



where kangaroos bound,



where turtles do their thing,



where butterflies mate...



where dunes spring to life with autumn rains ...




where ants create a symmetry of architecture...



where raindrops linger on she-oak Allocasuarina fingers,



where showers awaken a soft carpet of moss on limestone ,



where the heath Epicaris impressa and



Correa bring colour to the woodland,


where Hibbertia brightens a winter's day,



and its petals become a delectable item on the ant menu ...






where wet weather sponsors the wonderful world of fungi and lichen,



Bracket fungus Stereum illudens?




where sundews open delicate chalices: Drosera whitttakeri?



Drosera glanduligara?



and Drosera auriculata?




where Variable grounsel, Senecio lautus heralds the spring,



along with flames of Kennedia prostrata,



pigface Carpobrotus rossii,



yellow star flowers, Hypoxis vaginata?



cream swathes of old man's beard, Clematis microphylla,



native spinach, Tetragonia implexicoma,



Billardiera cymosa,





twining fringe lily,
Thysanotus patersonii,



Vittidinia,




everlasting daisies of the Helichrysum species,



mat-rush, Lomandra leucocephala,




pink-eyed susan, Tetrathecea pilosa,



blue fairies, Caladenia deformis




pink fairies,



spider orchids of the Caladenia species,



orchids, possibly Lyperanthus nigricans,



orchids of the Thelymitra species




greenhoods of the Pterostylis species,



blue-bells of the Wahlanbergia species,



and early nancies, Wurmbea dioica



where Acacia longifolia var longifolia makes the air sweet as honey,



along with Australia's floral emblem Acacia pycnantha,



where the roots of the yam daisy Microseris lanceolata were once a staple food,



where Dianella brings healing,



where the sour-sob is not an introduced species but a local Oxalis perennans,



where mallee of the Eucalyptus species bursts with sprays of white,



where fiery harlequin mistletoe Lysiana exocarpi hangs,



where blossoms of Banksia marginata provide pollen for bees,



where summer brings the spicy fruit of munthari Kunzea pomifera,



and the sweet apple-berries of Billardiera cymosa,



where Calystegia sepium looks cool in the heat,



where a handful of emu-bush Eremophila survives,



along with and elegant Lobelia species,



where paperbark of the Melaleuca species aids Ngarrindjeri religious practice,



where reeds Phragmites australis provide shelter and food,



where yellow flowers such as Cotula australis have traditionally warned the Ngarrindjeri women when the waters aren't safe to swim,



and where cape barren geese are welcomed by the Ngarrindjeri as ngartji, friend and relative, and not as pests.



The plunder of Ngarrindjeri Country began early last century. The estuary/delta area of the river and lakes had supported the densest population in Australia, pre-British Invasion. By 1860, a South Australian Select Parliamentary Committee inquired into the widespread starvation of First Peoples due to land clearances, fencing and lack of access to traditional food gathering grounds.



One side of the road shows traditional Ngarrindjeri land management methods,



while the other side shows Australian methods.





Cattle wade into the water supply of Lake Alexandrina in contravention of the 2003 SA Water Quality Act.



So today the soil is degraded, poisoned with salt,



and toxic, soil-bacteria-destroying chemicals are used to control introduced species like the African boxthorn Lycium feroccissimum,



onion weed, Asphodelus fistulosus,



scotch thistle



and burr-medic of the Medicago species.



And species introduced as crops like lupins run feral,



or like the stork's bill Erodium species



are easily confused with native species like Thomasia petalocalyx.



Inappropriate behaviours persist in the Ramsar wetland area, such as the annual duck-shooting season which leaves a gruesome mess at Narrung Reserve,




and fouls the water supply.



The she-oaks, despite Native Vegetation protection legislation, are still felled for firewood.



Succulent samphires Sarcocornia species are eradicated as weeds,



and the Narrung wetlands have been treated like a dump.



The lack of waters flows have revealed some rare and unusual inhabitants along the lake-shore,



and pink swamp-heath, Sprengelia incarnata?



and creeping monkey-flower Mimulus repens.



But the lowered water-level has exposed Ngarrindjeri sacred objects, kitchens and burial sites,




where white-fellas' shoes were discarded in favour of a lighter footprint.



Recently Ngarrindjeri elder Matt Rigney spoke of his frustration that First Peoples are often an afterthought in decision-making across this continent. "Central to our way of being in the world, is our understanding that it is our Country, our Mother, the Earth who sustains us. "



As Ngarrrindjeri elder Veronica Brodie wrote:
"we were all taught to love, not hate." [My Side of the Bridge, p159]
And the words of her sister, Leila D Rankine, give another Ngarrindjeri perspective:
"Oh spirit of the long ago
and guardian of the past
as I stand beside your waters,
my soul knows peace at last."



I am a vast body of water that nestles into the living landscape of Swan.



Here the white spray of my wing feathers ruffling, here my long neck-Kurangk.



Once my waters were white with pelican, egret, spoonbill, avocet, tern;



Black with swan, duck, darter, cormorant,




Golden with pollen from tea-tree, she-oak, acacia and eucalypt,
Red with the seasonal silts washing down from the source, our Mother.



Now I am green with greed



and grey with the pangs of death,




Oh my children, who can hear my cries?




Who can sweeten my tears?

Please let the Waters of the River Murray flow, so that we can all share its Life.

images © Vesper Tjukonai May 2008

5 comments:

joliy said...

Hi
Love the photos. I too live on the Lakes, at Point Sturt where my family has had a farm since the 1860s. I can barely look at the bare sand flats and mud and stray cattle, but when I do, I see the survivors, the samphire clumps, grasses, reeds (phragmites is booming, where its not acid), birds and the stones...
I hope for water, but in the face of greed, I think it might be a while coming.

Unknown said...

Wow, stumbled across this by accident but glad I did! What amazing photographs

Kaylene said...

This is superb photograph, may I use one of the soursobs for my art quilt class?

Vesper said...

Greetings Karlene,
thank you for your kind comments.

Ngarrindjeri Ruwi (living lands and waters) is much more wonderful than these photographic glimpses.

Regarding your request for use of the sour-sob photograph for your art class, there actually is no sour-sob on my blog. I guess the caption was a little ambiguous. I think you are referring to the yellow native oxalis. It is endangered here. Ngarrindjeri Ruwi is endangered. This summer, managers of the waterways in Australia are either going to allow the lake to dry or they will fill it with sea-water. Either way, tons of fish and many other fresh-water species are likely to die in agony. The Ngarrindjeri First Nation of the Kurangk (Coorong), Mungkuli (lower lakes) and Murrundi river, have long sought to protect Ngarrindjeri Ruwi, stating that if the creatures: their 'ngartji' die, they die.

Are you and you art quilt class willing to do something to help Ngarrindjeri Ruwi survive?

These photographs of Ngarrindjeri Ruwi, I feel, are much more than pictures. I hope they express some inkling of the ancient Lore/Law of the world's oldest living cultures here in Australia. If you work with one such image, are you prepared for what that Lore/Law might inspire you to do? Will you add your voices to the call to protect Ngarrindjeri Ruwi?

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